举世闻名的古腾堡是德国活字印刷的创始人，他不仅是一个发明家，也是一个商人。他一生最伟大的成就便是创造了德国的活字印刷——一个彻底改变信息沟通方式的革命性工具。但对于这位创始人我们又了解多少呢？他又是如何创造出这项发明的呢？就像一本悬疑小说，古腾堡的一生充满了谜团：我们不知道他的出生时间，也不知道他的逝世时间；他没有留下任何文字、任何签名，甚至 连肖像画都没有；他没有在自己印刷的书中留下痕迹。古腾堡留下的空白历史引发了人们对他的多方臆测。那么，真实情况究竟是如何的呢？

Having lived as mobile foragers for 99 percent of our time on Earth, why did humans set out on the road to civilization? How did they create villages, towns, cities and states, and establish the blueprint for the modern world? This series identifies four cornerstones of civilization – war, religion, cities and trade – and explores each in the context of a different location. Criss-crossing the globe, camera crews travel to Mexico, Guatemala, Iraq, Turkey, Egypt, India, Pakistan, Oman, Morocco, France, Germany, Japan, the U.K. and the U.S. They record the latest archeological discoveries, test new theories and uncover original information. 　　Drama reconstructions and computer graphics are used to visualize the lost world of the first civilizations. In each episode, the ancient story is also complemented by a modern-day analog, with an expert interviewee connecting the dots between past and present. The idea is to show how our ancestors were motivated by the same impulses that persist today: the inevitability of war, a need for religion, the lure of the city, a love of trade. Their story is our story.

Having lived as mobile foragers for 99 percent of our time on Earth, why did humans set out on the road to civilization? How did they create villages, towns, cities and states, and establish the blueprint for the modern world? This series identifies four cornerstones of civilization – war, religion, cities and trade – and explores each in the context of a different location. Criss-crossing the globe, camera crews travel to Mexico, Guatemala, Iraq, Turkey, Egypt, India, Pakistan, Oman, Morocco, France, Germany, Japan, the U.K. and the U.S. They record the latest archeological discoveries, test new theories and uncover original information. 　　Drama reconstructions and computer graphics are used to visualize the lost world of the first civilizations. In each episode, the ancient story is also complemented by a modern-day analog, with an expert interviewee connecting the dots between past and present. The idea is to show how our ancestors were motivated by the same impulses that persist today: the inevitability of war, a need for religion, the lure of the city, a love of trade. Their story is our story.

随意复制胶片，直到它成为光的斑点和污迹后，墨菲把镜头安排为算术样式，这由隐约可见的图像发展到可识别的图像，然后再返回到抽象。

程家女名少商，因战乱自幼被父母留在祖母身边成为“留守儿童”，婶娘狼心纵容，意图将其养成废人。面对重重陷阱，程少商为活命，假荒诞、真苦学，掩盖锋…

23岁的女孩玛丽娜，在父亲的抚养下长大在海边一处工厂附近。在她眼中，人类既古怪又讨厌，玛丽娜总是保持着距离，她所有的教育都来自Suicide乐队的歌曲、英国bbc主播大卫·艾登堡的自然纪录片以及自己唯一的朋友贝拉。一天，镇上来了一名陌生人要和她玩一盘桌上足球。玛利亚的父亲与此同时，正在仪式性地准备着他同“被高估”的二十世纪的告别。

23岁的女孩玛丽娜，在父亲的抚养下长大在海边一处工厂附近。在她眼中，人类既古怪又讨厌，玛丽娜总是保持着距离，她所有的教育都来自Suicide乐队的歌曲、英国bbc主播大卫·艾登堡的自然纪录片以及自己唯一的朋友贝拉。一天，镇上来了一名陌生人要和她玩一盘桌上足球。玛利亚的父亲与此同时，正在仪式性地准备着他同“被高估”的二十世纪的告别。

1961年的一个炎热夏日，正在拍摄《动物园探索》的大卫•阿滕伯勒从一名马达加斯加当地男孩手中，接过了一些巨大的蛋壳碎片。这些碎片是男孩在覆盖着沙粒的河床上发现的，它们属于世界上最大的鸟类——已经灭绝的重达半吨的象鸟。自从大卫在马达加斯加拍摄完《动物园探索》后，这里就发生了巨大的变化：80%的雨林遭到破坏，而人口却激增了四倍，当地特有的50多种哺乳动物在灭绝的边缘挣扎。阿滕伯勒珍贵的蛋壳碎片能解释远古象鸟的消失之谜吗？我们能从象鸟的命运中领悟到拯救马达加斯加野生动物的方法吗？

David Attenborough chooses his ten favourite animals that he would most like to save from extinction. From the weird to the wonderful, he picks fabulous and unusual creatures that he would like to put in his 'ark', including unexpected and little-known animals such as the olm, the solenodon and the quoll. He shows why they are so important and shares the ingenious work of biologists across the world who are helping to keep them alive.

大卫·爱登堡爵士将带我们聆听自然的声音，这是关于繁殖和生存的露天歌会。那么这些“歌声”会很快消失吗？从阳光明媚的春天到黑暗寒冷的冬季，自然界中充满了动物的“歌声”。每一种“歌声”都在为我们讲述一个令人难以置信的故事，并吸引着我们去探索更多的自然之谜。鲸、大山雀、琴鸟，吸蜜鸟，以及华丽的鹩莺都有自己独特的“歌声”，有的婉转动听、有的非常惊人、有的充满了悲伤。科学家们发现，不只是雄性动物会“唱歌”，雌性动物也会“一展歌喉”。然而当我们刚刚听到它们的“歌声”时，人们却越来越担心这些歌声会永远消失。随着人类的世界变得越来越嘈杂，地球上的其它地方却变得越来越沉寂……